Digi XPress Specifications Page 83
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Chapter 6: DigiRack Real-Time TDM and RTAS Plug-ins 77
With side-chain filters, you can make dynamics
processing more or less sensitive to certain fre-
quencies. For example, you might configure the
side-chain so that certain lower frequencies on a
drum track trigger dynamics processing.
Side-Chain Section
The Side-Chain section lets you toggle the side-
chain between the internal input signal or an
external key input, listen to the side-chain, and
tailor the equalization of the side-chain signal
so that the triggering of dynamics processing be-
comes frequency-sensitive.
External Key
The External Key toggles external side-chain
processing on or off. When this button is high-
lighted, the plug-in uses the amplitude of a sep-
arate reference track or external audio source to
trigger dynamics processing. When this button
is dark grey, the External Key is disabled and the
plug-in uses the amplitude of the input signal to
trigger dynamics processing.
Side-Chain Listen
When enabled, this control lets you listen to the
internal or external side-chain input by itself, as
well as monitor its levels with the Output meter.
This is especially useful for fine-tuning the plug-
in’s filter settings or external key input.
HF and LF Filter Enable Buttons
The HF Filter Enable and LF Filter Enable but-
tons toggle the corresponding filter in or out of
the side-chain. When this button is highlighted,
the filter is applied to the side-chain signal.
When this button is dark grey, the filter is by-
passed and available for activation.
High-Frequency (HF) Filter Type
The HF filter section lets you filter higher fre-
quencies out of the side-chain signal so that
only certain bands of high frequencies or lower
frequencies pass through to trigger dynamics
processing. The HF side-chain filter is switchable
between Band-Pass and Low-Pass filters.
Compressor/Limiter and Expander/Gate Side-Chain
External Key Side-Chain Listen
HF Filter
Enable
LF Filter
Enable
Side-Chain Listen is not saved with other
plug-in settings.
HF and LF Filter Side-Chain
HF Filter
Enable
HF
Frequency
Control
L
ow-
Pass
HF
Band-
Pass
LF Filter
Enable
LF
Frequency
High-
Pass
LF
Band-
Pass
- DigiRack 1
- Plug-ins 1
- Copyright 2
- Chapter 1. Introduction 3
- Chapter 8. Plug-in Settings 5
- Introduction 7
- System Requirements 8
- Conventions Used in This 9
- About www.digidesign.com 9
- DigiRack Plug-ins Guide4 10
- Installation and Configuration 11
- DigiRack Plug-ins Guide6 12
- Favorite plug-ins 13
- Plug-in categories 13
- Default EQ plug-in 13
- Default Dynamics 13
- DigiRack Plug-ins Guide8 14
- Processing Power 15
- Requirements of TDM and 15
- RTAS Plug-ins 15
- Improving RTAS Plug-in 16
- Performance 16
- RTAS Processors 17
- CPU Usage Limit 17
- RTAS Error Suppression 18
- Delay in Signal Processing 19
- Low-Latency Recording with 20
- Instrument Plug-ins 20
- Plug-ins as Inserts 21
- Inserting Plug-ins on Tracks 22
- Configuring Plug-ins During 23
- Playback 23
- Making Plug-ins Inactive 23
- The Plug-in Window 24
- Opening Plug-in Windows 26
- Multi-Mono Plug-ins 27
- Clip Indicators 28
- Using the Side-Chain Input 28
- Tempo Sync 29
- Automating Plug-ins 30
- Automation 31
- DigiRack Plug-ins Guide26 32
- Automation Enable window 32
- RTAS Plug-ins on Auxiliary 33
- Input and Master Fader Tracks 33
- HTDM Plug-in Conversion to 35
- DigiRack Plug-ins Guide30 36
- The AudioSuite Menu 37
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 42
- Processed Audio 42
- Other AudioSuite Controls 42
- AudioSuite Processing 43
- Preferences 43
- DigiRack Plug-ins Guide38 44
- Using AudioSuite Plug-ins 45
- Using AudioSuite Plug-ins in 46
- Adjusting Plug-in Controls 47
- Toggling Switches 48
- EQ III Configurations 49
- EQ III Controls 50
- I/O Controls 52
- EQ Band Controls 53
- Frequency Graph Display 54
- 1 Band EQ 54
- 7 Band EQ 55
- High-Pass/Low Notch 56
- Low-Pass/High Notch 56
- Low Shelf/Low Peak 57
- Low-Mid Peak 58
- Mid Peak 58
- High-Mid Peak 59
- High Shelf/High Peak 59
- 2–4 Band EQ 60
- High-Shelf EQ 62
- Low-Shelf EQ 62
- Low-Pass Filter 62
- Automating EQ III Controls 63
- Click Controls 64
- Creating a Click Track 64
- Sessions 65
- Noise Shaping 66
- POW-r Dither 67
- D-Verb Controls 68
- Diffusion 69
- Pre-Delay 69
- Hi Frequency Cut 69
- Expander/Gate Features 71
- Input and Output Meters 72
- Dynamics Graph Display 73
- Compressor/Limiter III 74
- About Limiting 75
- Input/Output Level Meters 75
- Threshold 75
- Side-Chain Section 77
- Expander/Gate III 78
- De-Esser III 80
- De-Esser III Controls 81
- Chain Processing 84
- Mod Delay II 85
- Mod Delay II Controls 86
- SignalTools 88
- PhaseScope 89
- SignalTools Display Options 90
- Leq(A) Meter Display 91
- SignalTools Level Meters 92
- Meter Peak Hold Options 93
- Reference Mark Options 93
- Pitch Controls 94
- TimeAdjuster 96
- Delay Compensation 97
- When to Compensate for Delays 98
- Trim Controls 99
- DigiRack Plug-ins Guide94 100
- DigiRack AudioSuite Plug-ins 101
- Dynamics III 102
- Dynamics II 102
- Chorus plug-in 103
- Sum Inputs button 103
- Flanger 104
- Multi-Tap Delay 105
- Ping-Pong Delay 106
- Duplicate 107
- Normalize 108
- Signal Generator 109
- DC Offset Removal 110
- Time Compression/ 110
- Expansion 110
- Pitch Shift 112
- Time Shift 113
- DigiRack Plug-ins Guide108 114
- Transient 116
- Down Tasks 118
- AudioSuite Input Modes 119
- AudioSuite Preview 119
- Processing Audio 120
- Plug-in Settings 121
- Choosing a Destination for 122
- Settings 122
- Managing Settings 123
- Plug-in Settings Dialog 124
- Auditioning Plug-in Settings 125
- 4 Click Search 126
- Using ReWire with Pro Tools 127
- ReWire Requirements 128
- Using ReWire 128
- Tempo and Meter Changes 129
- Looping Playback 130
- Automating ReWire 130
- DSP Requirements 131
- Monitoring DSP Usage 134
- Delay 101 137
- DigiRack Plug-ins Guide132 138
- Index 133 139
- DigiRack Plug-ins Guide134 140
- Index 135 141
- DigiRack Plug-ins Guide136 142
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